The sky blue laughs. The poem "morning in the mountains" Tyutchev Fedor Ivanovich. Analysis of Tyutchev's poem "Morning in the mountains"

The beauty of nature often inspires writers and poets. Her description is always given great attention. The authors try as expressively as possible, more accurately convey the magnificence of the nature around them. Vivid proof of this is the poem by F. I. Tyutchev “Morning in the mountains”, written in 1829.

All our attention is riveted to the description of nature, which is sung by the poet in all its glory. Tyutchev emphasizes the blue of the sky after the last night of rain, admires its enchanting purity. Then he turns the reader's gaze to the mist half-hiding the mountains. But these mountains are so great that no fog can conquer them, close them from prying eyes.

To convey the magic of nature at this wonderful moment, Tyutchev uses various artistic means. In the very first line we find the personification (“Azure ... laughs ...”). This gives readers the idea that the weather is good in the morning. Describing the valley, Fedor Ivanovich adds epithets ("... a bright stripe", "... higher mountains"). A special magic is conveyed by comparison and metaphor (“Like air ruins / Magically created chambers”). So the author writes about the fog covering the slopes of high mountains. All of the above expressive means help to create magnificent images in the imagination of readers, to feel the peace of nature at this hour. The rhyme in the poem is cross.

This poem by F.I. Tyutchev allows you to see the incredible landscape of the mountains, even when we are very far from them.

The azure of heaven laughs
Night washed by a thunderstorm,
And between the mountains it winds dewy
Valley with a light stripe.

Only the highest mountains up to half
Mists cover the slope,
Like air ruins
Chambers created by magic.

Analysis of the poem "Morning in the mountains" by Tyutchev

Tyutchev's poetry is full and varied. It contains philosophical concepts, and artistic features, and an unusual expression of thought. Most of his poetry is occupied by nature. For Tyutchev, human existence is just a small part of nature, a moment before a huge element. Tyutchev's work is filled with these philosophical thoughts and a poem written in a ringing iambic, "Morning in the Mountains" is no exception.

The worldview of the writer bows before nature and its being, from this there are such images in the poem. She is free and her soul is shown in the work, she is, first of all, alive and the poet feels and understands this.

For Fedor Ivanovich, nature is animated and endowed with human emotions - "Azure laughs", "... the valley / Winds", "Mists cover ...". The work gives a reference to the past time: thanks to a night thunderstorm, the valley seems to the lyrical hero brighter and more joyful than usual.

But all the inside of the hero strives upwards, to the mountains: where the sky is azure, where the mists cover the slope, where the magical ruins rise. For the lyrical hero, these ruins personify an ideal world where only nature reigns and a person is not able to get into it. And yet the poem does not have a pessimistic connotation, for for the writer the very observation of this great nature is already bliss. Therefore, the whole poem is a declaration of love for nature, reverence for its divinity and holiness.

In such a poem, which can also be called a "study from nature", the poet is presented to the reader as a seeker. He is looking for a philosophical meaning in human life, the universe and the outside world - these are, as it were, signs of this universe.

The artistic features of this work include many epithets, thanks to which vivid images are created: heavenly, light, airy, night. Also, an antithesis is built here between the sky and the valley: the earthly world, where the hero lives, and the magical world, where he can’t get to. The poetics of the text is full of colors with pure shades of blue and white. Color helps the poet emphasize the romantic mood of the lyrical hero, who is under the spell of this panorama.

In the work of Tyutchev, poetry reaches refinement and, as Afanasy Fet said, rises to ethereal heights. He is often called the "singer of nature" and for good reason! His works are unconditionally appreciated in our time, and his poems are given the epithet "brilliant".

The azure of heaven laughs
Night washed by a thunderstorm,
And between the mountains it winds dewy
Valley with a light stripe.

Only the highest mountains up to half
Mists cover the slope,
Like air ruins
Chambers created by magic.

More poems:

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Again the days of spring We waited: Swallows chirp Over the window of the prison. Between the green mountains A dark strip Winds into the distance the road To the side of the native ....
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The feast is over, the choirs are silent, The amphorae are emptied, Baskets are overturned, Wine cups are not finished drinking, Wreaths are crumpled on the heads, - Only aromas smoke In the empty bright hall ... Having finished the feast, we got up late -...
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And again, as on the first day of creation, the Azure of heaven is still, As if there is no suffering in the world, As if there is no sin in the heart. I don't need love and glory: In silence...
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The azure of heaven laughs
Night washed by a thunderstorm,
And between the mountains it winds dewy
Valley with a light stripe.

Only the highest mountains up to half
Mists cover the slope,
Like air ruins
Chambers created by magic.

Analysis of Tyutchev's poem "Morning in the mountains"

Landscape paintings, built along the poet's favorite vertical, are determined by two natural dominants - the sky and mountains. The image of distant peaks is associated with a flawlessly white mountain world, which opposes the “suffocatingly earthly” existence. A similar antithesis is modeled in the poem "Snowy Mountains", the original version of which included the analyzed text. "Dolny world" appears passive, "half-asleep" and exhausted, and "icy heights" are full of life - mysterious, "fiery", inaccessible to the human mind.

"Morning in the mountains" of 1829 reveals the traditional figurative structure of Tyutchev's natural sketch: the peaks are surrounded by bright "sky blue". The latter is characterized by an unusual personification, endowing a detail of the landscape with the ability to feel human emotions - to laugh. The “bright stripe” of the valley, which runs between the mountains, reflects the magnificence of the blue sky. In the poetic text there is a laconic reference to the past: a thunderstorm passed at night, and therefore the morning panorama looks especially clear, clean, expressive.

The gaze of the lyrical contemplative hero again rushes up to the slopes of the "higher mountains", covered with clouds. The work ends with an emotional dominant - a magnificent comparison of fog accumulations with the weightless "ruins" of a palace erected by magical power.

The poetic text features color vocabulary with pure shades of blue and white. She maintains the enthusiastic romantic mood of the lyrical "I", fascinated by the opened panorama.

The image of mountain ranges is not always outlined by landscape issues. It is logical that the ideal space of "inaccessible masses" becomes a refuge for unearthly beings - heavenly angels. This is evidenced by the lyrical subject of the late poem “Although I have built a nest in the valley…” It is significant that the human soul is rushing upward, wanting to free itself from the “thick layer” of earthly vanity.

The ambivalence of the image of distant peaks is manifested in the work "". The anthropomorphic nocturnal image of the mountains gives rise to "icy horror" with the heart of a lyrical "I". It is characteristic that the cloudless azure, which delighted the hero's gaze during the day, here becomes a frightening "twilight", supporting the motives of death and chaos. The "disastrous spell" is dispelled with the rising of the sun, which hides the duality of the model of the world in the daylight.

The azure of heaven laughs

Night washed by a thunderstorm,

And between the mountains it winds dewy

Valley with a light stripe.

Only the highest mountains up to half

Mists cover the slope,

Like air ruins

Chambers created by magic.

The poem "Morning in the mountains" F. Tyutchev wrote in 1817-19. He devoted a whole era to poems about nature in 1827-30. The theme of the poem is landscape. It describes clear blue skies and a beautiful, fresh morning after a thunderstorm. Usually, mountain peaks are not visible from fogs and clouds, but now, after a thunderstorm, the air is transparent, and only the very peak of the mountain is not visible. And this peak, similar to aerial ruins, is covered with this fog. When writing, the author uses literary, book vocabulary and artistic style. The work uses archaism: "chambers" - a house, a palace, a magnificent building, a rich room, a medieval hall. The poem is filled with feelings, moods of admiration and contemplation. It is divided into 2 stanzas. The first tells about the amazingly clear sky and the bright radiant valley, and the second - about the fabulous fogs over the mountains. But only the first stanza has a complete thought, unlike the second, and the second is its lyrical continuation. The meaning of the stanzas is compared. And the second stanza is certainly significant for a more complete disclosure of the idea of the poem. The work uses iambic 4-foot and cross rhyme. Many epithets are used, for example, "by the magic of the chambers created", metaphors are also used: "As if<...>ruins of magically crafted chambers." Personification applied: "Azure<...>laughs<...>washed<...>, And<...>winding valley<...>". The author also resorted to comparison: "<...>fogs cover the slope, as if<...>the ruins of chambers created by magic. " The indirectly expressed position of the author is similar to the position of the lyrical hero on behalf of whom the story is being told. This work evoked in me feelings of my insignificance in front of nature and kinship with it, its beauty.