Palaces of Lisbon. Landmarks of Lisbon: Palácio Nacional da Ajuda - the State Palace in Ajuda. Rossio square and train station

I will introduce you to Palá cio National da Ajuda(Palacio Nacional da Ajuda), located in the area of ​​Ajuda (Ajuda). The districts of Ajuda and Belém are neighbors, so it makes sense to combine their sights together when viewing.

Honestly, I don’t even know what else to write in the introduction to this museum. Big, beautiful, impressive. In general, come and see for yourself.

Attractions in Lisbon:
Palá cio National da Ajuda- State Palace in Ajud

Palá cio National da Ajuda- was the official royal residence from the reign of King D. Luís I (Don Luis 1) (1861-1889) until 1910, when the palace was closed after Portugal was declared a republic. The palace was built in the neoclassical style in the first half of the 19th century.

Story Palá cio National da Ajuda

The decision to build the palace was taken by King D. José I (Don Juse 1) after the Lisbon earthquake in 1755. On the very day of the earthquake, the king left with his family and retinue after an early Mass and at the time of the disaster was in the city of Belém (now a district of Lisbon), because. his daughters wanted to spend the holidays outside the city ( the earthquake happened on November 1, 1755 on All Saints' Day).

Although the royal family was not affected by the earthquake, the king was so frightened that he refused to return to the shelter of knowledge made of "stone and limestone". Thus, he ordered the construction of a palace ... of wood to replace the destroyed palace in the center of Lisbon. The people called it the “Wooden Palace” or “Royal Barracks”. It was the abode of the royal family for almost 30 years, until in 1794 it burned to the ground along with the richest decoration.

Only later, at the turn of the 18th and 19th centuries, the construction of a new royal palace began, this time from “stone and limestone”. Initially designed in the Baroque style, it was later redesigned in the neoclassical style by two Portuguese architects, Francisco Xavier Fabri and José da Costa e Silva, who were educated in Italy. At different times, the best artists and sculptors of the kingdom worked on the decor of the palace.

The completion of the construction of the Royal Palace in Ajud dragged on for years. When the monarchs changed, this building either became the king’s dwelling and then work was resumed with new energy, then the monarch left the palace and then everything stopped. At that time, the royal family and the court moved between the three royal residences: Palá cio da Ajuda(Palacio da Ajuda) , Palá cio da Belé m(Palacio de Belen, near M.Jeronimos where the presidential palace is now) and Palá cio dasNecessidades(Palacio dazh Nesecidades - the Ministry of Foreign Affairs is now located there).

Our days

The Palácio Nacional da Ajuda was declared a national monument in 1910. How the museum was opened in 1968, mainly to show how the royal court lived in that era. Here you will find interiors and rich collections of decorative art objects from the 18th and 19th centuries: fabrics, furniture, jewelry, ceramics, as well as paintings, sculpture and photography.

This palace is now not only a former royal residence and museum of fine arts, but also the headquarters of Portuguese organizations associated with culture and art and the venue for official state receptions of particular importance.

What to see:

The museum is divided into two floors:

Piso Terreo- The ground floor, where the halls intended for both official and private events are located, as well as the living rooms of the royal family.

Andar Nobre- Noble floor. This floor has always been reserved for celebrations and receptions. Here are the Throne Room, the Diplomatic Hall, the King's Study, the Ballroom, etc., as well as several rooms of the king of a private nature.

The museum has rich collections:

Ceramics– 17,000 items made of ceramics, faience and porcelain.

Sculpture- about 400 works dated from the 1st half of the 19th century to the 20s of the 20th century.

Photo– about 7000 photographs by more than 300 photographers. Allows you to trace the history of photography in Portugal.

Jewelry- Items dated to the end of the 17th century. - the end of the 19th century. are divided into two parts: the first - crown jewels for official receptions, weapons and costume elements; the second is royal jewels for everyday wear.

Metals- art products made of metal alloys for various purposes: both purely decorative and for real use. Mostly 19th century.

Furniture- mainly furniture from the middle of the 19th century.

Paintings- more than 450 oil paintings, to which you can add about 800 copies, including watercolors, pastels, drawings and sketches.

Silver plate– dates from the 16th century to the beginning of the 20th.

fabrics- a wide variety of products from fabrics of different manufacture, origin and age.

Costume- mostly everyday royal clothes, as well as two royal robes with symbols of the Portuguese royal house. The military costumes of members of the royal family are widely represented.

Glass- about 12,500 pieces from the collection of the old royal house.

Address, contacts, how to get there, ticket prices, etc.

The palace is wheelchair accessible. Incl. there is a removable ramp, access to the upper floor by an elevator, toilets are equipped.

Lisbon is a rather large capital of an ancient European state, which was once the center of a huge colonial power. Naturally, in such a city there are many attractions. Some of them are quite compact; my articles about districts and are devoted to them. Others scattered over many places in Lisbon; In this article I will talk about a few that I remember the most.

Royal Palace of Ajuda

A catastrophic earthquake on November 1, 1755 destroyed a significant part of Lisbon, including the Royal Palace of Ribeira, located on the site of the current Market Square. The royal family survived thanks to the fact that on that day they were in the Belen region, which was not too affected by the earthquake and the tsunami caused by it. However, King José I became claustrophobic and settled in a wooden hut (covered with tapestries from the Baixo estate) near the palace of the Counts of Obidos. He ordered the construction of a wooden building in the Ajuda area. On September 20, 1861, the Real Barraca (Royal Tent/Terem), or Paço de Madeira (Wooden Palace) was completed. After the death of José I, his daughter Maria I left Ajuda and settled in. In 1794, the King's Pavilion burned down, and construction began on a new palace in the late Baroque style the following year. The deplorable state of the treasury forced the authorities to revise the original draft in the direction of its reduction. By 1802 the palace was completed in the classical style. The kings changed their residences several more times, until in 1862 Ajuda became the main residence of the Royal family, which was used mainly in the winter season (it served as a summer residence). At the same time, the interiors of the palace were renovated in the spirit of eclecticism.

I can’t call Ajuda Palace a place that I liked a lot. Frankly speaking, if I had not visited it (as part of a group tour included in the tour), I would not have considered that I had lost much. I almost did not see anything outstanding, original and attractive in this palace.

East facade of Ajuda:

At the entrance, I remember the majestic stone female figures, symbolizing various virtues. I like such figures (apparently, the Maximilian complex from Heine's Florentine Nights) - a feeling familiar from the time of visiting. This figure represents gratitude:

It is interesting that the opposite (western) side is a dilapidated unfinished building of a completely terrible appearance. It was just crazy to see him.

I will show you some interiors that made a good impression.

The blue interior is not really blue now; this is the reception room. You can see the portraits of King Luis I and his wife Maria Pia of Savoy, who settled in Ajude in 1862:

The Winter Garden, otherwise called the Marble Hall, is beautiful:

I like porcelain collections (in Portugal, by the way, there was a porcelain production, but now it is almost lost):

Chinese motifs seemed especially pleasant. Many porcelain items were donated by the Manchu-Chinese Emperors of the Qing Dynasty.

I remember the small private dining room of the Royal family. They ate, by the way, quite a bit, if not to say - at times poorly. During the second half of the 19th century, the Portuguese Royal Family was at times so poor that its members had to sell their jewels.

There is, of course, a large dining room:

In the main Throne Room on the second floor, of course, the thrones of Luis I and Maria Pia attract attention:

To some extent, my reserved attitude towards the Ajuda Palace was formed by the fact that the Royal Regalia stored here are not open to public inspection. This is the first time I have encountered this, and this ban upset me. I wanted to see with my own eyes the crown of João VI, made in 1817 for him as the ruler of the United Kingdom of Portugal, Brazil and the Algarve. It is interesting, by the way, that since 1646, when King João IV dedicated the crown of Portugal to the Virgin Mary, the rulers of this country have never put on their royal crowns.

And I just have to look at the different images of the crown of Portugal. For example, on these stained-glass windows:

On the right is the coat of arms of Portugal, and on the left is the coat of arms of Saxony. Since 1853, Portugal was ruled by the Cobrug-Braganza branch (beginning with Pedro V), which appeared due to the marriage of Queen Mary II of the Braganza dynasty and Fernando II of the Saxe-Coburg-Gotha dynasty.

I also remember the tower with a cockerel at the top that has been preserved from the Wooden Palace complex (the cockerel is one of the symbols of Portugal, and it looks different from the more famous Gallic cock) and the garden of Ajuda. But, unfortunately, there was no time for their careful examination.

Commerce Square

The Market Square (Praça do Comércio), also known as the Palace Square, is located on the site of the Ribeira Palace. After the earthquake, the area was completely reconstructed.

The rebuilding of the city was entrusted by King José I to his prime minister, the Marquis Sebastian of Pombal, who rebuilt the square in the spirit of the Enlightenment. The royal palace was not restored, and the square itself received the correct symmetrical shape.

The square was called the Trade Square, which determined its new functions in the economy of Lisbon. The main attraction was the statue of José I in the center of the square, inaugurated in 1775.

It is curious that on one side of the pedestal there is a figure of an elephant (judging by the size), which seems to be trampling on a certain person; what is the reason for such a scene, I do not know.

The English gave Commerce Square the unofficial name of Black Horse Square. For some reason, the dark color of the horse José I, trampling snakes, so attracted their attention. It still baffles the locals.

On February 1, 1908, the Market Square became the site of the Portuguese Regicide. When the carriage, in which King Carlos I and his family were, drove into the square, shots rang out from the crowd. The king died on the spot, his heir Luis Filipe was mortally wounded, and Prince Manuel, the future King Manuel II, was wounded in the arm. He was saved by his mother, Queen Amelia. The killers were shot dead on the spot by security guards and were later identified as members of the Republican Party, which overthrew the Portuguese Monarchy two years later.

Another highlight on the Market Square is the Arc de Triomphe Augusta, beyond which the shopping street Rua Augusta stretches. The arch is decorated with the coat of arms of the Kingdom of Portugal and an inscription in Latin: VIRTUTIBUS MAIORUM UT SIT OMNIBUS DOCUMENTO. P.P.D.

This inscription means approximately "The virtues of the great [ancestors], who taught us everything." The standard wording of the P.P.D. stands for Pecuinia Posuit Dedicavit, that is, "paid for by public funds."

Of course, the Tagus River embankment, a favorite place for festivities of Lisbon residents and guests of the city, gives a special charm to the Market Square. There is a river tram station here, through which you can get, among other things, to the opposite bank - for example, to the Lisbon suburb of Casillas, where it is located.

Rossio square and train station

Rossio Square (Praça Rossio), located in the center of Lisbon on the north side of the historical district of Baixa (this word means "Lower"), has an official name - Pedro IV Square, in honor of Emperor Pedro I of Brazil, who was also King Pedro IV of Portugal. His monument is erected in the center of the square. Behind it is the National Theater of Mary II.

Rossio became one of the main squares of Lisbon already in the 13th-14th centuries. In the 16th century, the headquarters of the Portuguese Inquisition was located here (in the Estaus Palace, on which the theater now stands); The first auto-da-fé took place in 1540. Fortunately, nothing more reminds of that odious era.

In the second half of the 19th century, the square was decorated with traditional Portuguese mosaics on the pavement. This mosaic is one of the symbols of Portugal. Some may feel dizzy when looking at it for a long time.

In the center of the square there are two bronze fountains brought from France.

Between 1886 and 1887, a railway station of the same name was built in the northwestern part of Rossio Square. The station has become an important addition to the city's infrastructure, and its beautiful neo-Manueline façade has become one of Lisbon's landmarks.

Currently, only suburban trains depart from the station in the direction of Sintra.

Camões Square

A must during my visit to Lisbon was a visit to Camões Square (Praça Luís de Camões). It is named after the great poet Luis de Camões (Luis Camões in Portuguese), who lived in the 16th century (circa 1524 - 1580).

In the epic "Lusiads", the poet outlined all the heroic events of Portuguese history from the settlement of the country by the mythical Luz - the ancestor of the Lusiads-Portuguese - to the opening of the route to India around Africa by Vasco da Gama in 1498. The work of Camões in Portugal is given special importance; in fact, he is considered the father of the Portuguese language. The death of Luis Camões (June 10) is celebrated by the Portuguese community (lusophones) as Portugal Day. The largest literary prize in the Portuguese-speaking countries is named after Camões. By the way, the great contemporary of Camões - the Spanish writer Miguel de Cervantes - called the Portuguese language sweet, and I agree with him in this assessment.

To quote a stanza from the Lusiads:

Weapons and brave knights,

That, cutting through the waves of the ocean,

Rejecting life's vain temptations

Color of the nation, great and fearless,

What among people unknown and strange,

Founded a mighty empire

And thus earned immortality.

In Jules Verne's The Children of Captain Grant, Paganel mistakenly learned Spanish from the Lusiades. With undoubtedly related grammar, these languages ​​differ quite markedly, especially because of the specific letter ã in Portuguese, and also because of the positional reduction of sounds (and, accordingly, letters) characteristic of this language.

Basilica and Estrela Park

There are many religious buildings in Lisbon; in this article I will show one - the Basilica da Estrela (Basílica da Estrela).

The basilica was built in the area of ​​Estrela ("star" in Portuguese) by order of Queen Mary I in fulfillment of a vow after the birth of her son José, Prince of Brazil. Construction was carried out in 1779–1790; moreover, it opened two years after the sudden death of Jose from smallpox at the age of 27 years. This death was one of the reasons for the gradual insanity of Mary (in Brazil she was even given the nickname Mad, although in Portugal they call her the Pious).

The basilica is located on a hill, thanks to which its giant dome can be observed from various parts of Lisbon. The architecture of the basilica is made in the late baroque style with elements of classicism. Gray, pink and yellow types of marble were used for its construction. The basilica also houses the tomb of Queen Mary I.

There is a small, very cozy park near the basilica.

Here, as in general in Portugal (especially the southern part), many tropical plants grow. Interestingly, in Portugal, 80% of plant species are imported from other parts of the world.

The presence of such spreading trees is very important for the hot and sunny climate of Lisbon.

Strangely enough, there is a sculpture of a stonemason in the park; despite the surprise, I found her cute:

Edward VII Park

From the Estrela Park I will move to the Eduardo VII Park, which is located in the center of Lisbon. Until 1903, this park was called Freedom, but was renamed a year after the visit to Portugal of the English King Edward VII, who came to confirm the centuries-old alliance between Portugal and England (it was established in 1386 in England).

I do not really like such geometrically correct forms of plant ensembles. And I would not mention this park, if not for one remarkable detail. In the eastern part of the park there is a pavilion named after the 1984 Olympic champion runner Carlos Lopes.

And the point is not in the pavilion (which, by the way, is in a rather dilapidated state), but in the four paintings adorning it from Portuguese azulejo ceramics. There are a lot of Azulejos in Portugal. And I love epic paintings most of all, so I remember these four images especially strongly.

The Battle of Ourik is a battle that took place on July 25, 1139 between the Portuguese army under the command of Prince Afonso I and the Almoravides under the leadership of Ali ibn Yusuf. After the victory, the soldiers of Afonso I immediately proclaimed him King of the Portuguese. Portugal actually ceased to be a feudal lot of Castile, having gained independence.

Ala dos Namorados ("Flank of suitors/suitors") is a painting dedicated to the Battle of Aljubarrota. This battle between the troops of Juan I of Castile and João I of Portugal, which took place on August 14, 1385, ended with the victory of the Portuguese, securing the independence of this country (although it then lost it in 1580-1640 due to dynastic circumstances that transferred Portugal to the Spanish King Philip II and his successors - two more Philippi with subsequent numbers). The “flank of boyfriends / suitors” was a couple of hundred young unmarried nobles who especially distinguished themselves in this battle. The right flank of the Ala de Madressilva ("Honeysuckle Flank") of a couple of hundred burly warriors showed no such heroism. The battle of Aljubarrota is dedicated to a magnificent one.

Sagres is a locality and district in the province of Algarve. The city is known for the famous navigational school founded by Prince Henry the Navigator in the 15th century. The picture, as I understand it, shows a riot of sea spirits, which the students of this school had to tame. Which is what happened.

Cruzeiro do Sul (Journey to the South) - the most important route of the Portuguese navigators along the western coast of Africa, in search of a route to India.

I also note that on the outskirts of the Edward VII Park there is a museum of the most famous modern Portuguese:

Monument to the Marquis of Pombal

Not far from the Eduardo VII Park is the round square of the Marquis of Pombal (Praça do Marquês de Pombal), in the center of which stands a monument to the title person.

Sebastian José Pombal (1699-1782) - the most influential Portuguese politician of the Enlightenment, one of the most prominent representatives of "enlightened absolutism". In fact, he held the reins of government in Portugal under King José I (from 1750 to 1777) and led the restoration of the country after the devastating Lisbon earthquake. The contribution of the Marquis de Pombal to the development of the Portuguese language was very significant, since in 1758 he made it the only official language of Brazil, banning the use of the lingua-geral nyengatu creolized pidgin that existed before.

Under Queen Mary II, the marquis was accused of abuse, removed from business and sent into exile. But modern Portugal honors the great figure.

The pedestal of the monument also depicts people and animals who participated in the construction of the destroyed country and Lisbon.

A semi-nude female figure is the personification of Lisbon. This is Lisboa; The Portuguese call their capital in the feminine form.

Bridge 25 April

I will finish the review with a look at the April 25 Bridge (Ponte 25 de Abril), which steps over the estuary of the Tagus River (Tejo) and connects Lisbon and the Setubal Peninsula. [In brackets, I note that the grandiose Vasco da Gama bridge passes near Lisbon - the longest bridge in Europe (including viaducts), its length is 17.2 km; Moreover, this bridge is also not straight. I drove over it, but I couldn't take a picture].

The April 25 Bridge was opened on August 6, 1966. Until 1974, the Ponte Salazar bridge was named after António Salazar (Portuguese Prime Minister and de facto dictator for 36 years), but was renamed after the so-called Carnation Revolution. The photo was taken from the edge of a hill on the Setubal peninsula, where the statue of Christ the King, reproducing the original in Rio de Janeiro, is located.

The bridge was built by the American Bridge Company with the help of 11 local firms. The length of the bridge is about 2.28 km. Due to the similarity in design and color, the April 25 Bridge has been compared to the Golden Gate Bridge in San Francisco, although it is actually "related" to the Bay Bridge between San Francisco and Oakland.

Ajuda Palace. Lisbon. Portugal in December Part 1. General history and part of the first floor. September 3rd, 2013

Ajuda Palace is not very popular with tourists, I don’t know why. It has an interesting history, and besides, although it does not look very good from the outside, there is a lot of interesting things inside!


The old building of the Ajuda Palace was built after the Lisbon earthquake, in 1761. Although during the natural disaster, King José I and his family were in the Belen Palace and were not injured, what happened so worried the ruler that he refused to live in buildings made of stone. By order of José, in the elevated area of ​​​​Ajuda, almost unaffected during seismic activity, a new wooden palace was built. Its interior was decorated with the best furniture and valuable fabrics, inlays and paintings. In 1794, a fire that broke out due to a candle destroyed almost the entire palace. Only a few elements of the decoration that are stored today in the museum of the Ajuda Palace, the tower, and also - by a curious coincidence - part of the masonry that supported the second floor of the palace survived.


On the site of the burnt residence, Prince Juan ordered the construction of a new palace. The baroque project of the architect Manuel Caetano di Souza was corrected at the dawn of its implementation by the Italian Francesco Fabri and the Portuguese José da Costa y Silva, who returned to Lisbon after studying in Bologna. The architects convinced the prince that the new residence should be made in the spirit of a new style - neoclassicism.


The modification of the baroque foundation of the building, begun in 1802, was frozen five years later: fleeing Napoleon's army, the royal family and the court moved to Brazil. During the first half of the 19th century, the construction of the Ajuda Palace proceeded very slowly. At that time, there were as many as three royal residences and work in Ajud was only when the royal family chose it as their residence. The palace became a permanent residence only in 1861, after the wedding of King Luis and the Italian princess Maria Pia of Savoy.

The future queen (who at that time was 15 years old) was actively engaged in the arrangement of the Ajuda Palace. By her order, wooden structures were updated, the furnishings were enriched: carpets, furniture and chandeliers were added. Many large halls were divided into several. For example, the old vestibule was turned into three rooms: the Winter Garden, the Oak Hall and the Saxon Hall. There were bathrooms with running water and bathtubs, a dining room for daily meals, and leisure facilities such as the Blue Hall, Chinese Hall, Music Hall, art workshop, and even a billiard room.
Historically, the palace is divided into two zones - a common one on the first floor and a private one on the second. However, over time everything has been mixed up and now there are meeting rooms and bedrooms on the first floor, while on the second floor there are private offices and a throne room .
There are many rooms in the palace, however (18 on the first floor, 12 on the second) and almost all of them are open to visitors. There were also a lot of photos from there, but I made an effort and divided them into 4 not very large posts). So, on the ground floor there is a valet's room (there is now a ticket office))
This is followed by a small hall of Spanish tapestries. It is so named because it has 8 tapestries of various sizes and was used as a reception area for "formal guests"


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Then a small hall of Order (Hall of order) or the hall of Don Sebastian. With my lens you can't swing there


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but the most pleasant thing is there - the ceiling, which depicts the hunting of the goddess Diana, and behind it is another hall with painted ceilings, the name of which I could not translate literally) Sala dos Contadores (Accountants Hall)

Well, I’ll finish showing, perhaps, the winter garden / marble room. The room is decorated with marble and agate, sent as a gift to the royal couple by the Egyptian colonies.

To be continued...

• Address: Largo Ajuda 1349-021, Lisboa, Portugal
• Telephone: +351 21 363 7095
• Website: palacioajuda.gov.pt
• Working hours: Thu-Tue from 10:00 to 18:00
• Architectural style: neoclassical architecture

Ajuda is a neoclassical royal palace located in. It is one of the most interesting cities. In addition, the first in Portugal is located near the Ajuda Palace, in which a huge variety of exotic plants grow.

Ajuda Palace, as well as its botanical garden, owe their appearance to the terrible earthquake of 1755, which shook Lisbon and claimed more than 50 thousand lives.

The king refused to rebuild his palace in the same place, so the Ajuda area was chosen. Initially, a wooden house was built here, which the inhabitants quickly began to call the “royal shack” or “wooden palace”. The construction of the palace itself started at the end of 1794, after a fire destroyed the wooden structure.

Initially, the work was led by Manuela Citano de Susa: he planned to erect a building in the late Baroque style with some elements of Rococo. However, in the end, other architects began to complete the project - Francisco Xavier Fabri and José da Costa, who turned the palace into the finest example of neoclassical architecture.

In 1807, construction was not yet completed when the palace was captured by Napoleon's troops, which forced the royal family to flee to Brazil. And only in 1826 it was completed, and the Ajuda National Palace in Lisbon again became the residence of the royal family. It has been functioning as a museum since 1968.

What interesting things can be seen in the Ajuda Palace?

At the moment, the attraction is open to tourists and functions mainly as a. At the same time, the government still sometimes uses it as a venue for celebrations.

The museum's collection includes a very large number of works of art. These are examples of painting (from the 15th to the 20th century), and luxurious furniture in the style of Louis XV, and a wide variety of decorative elements - statues, tapestries, dishes, etc. Such rich decoration is due to the fact that at one time, thanks to the conquests and discovery in Brazil diamonds Portugal was an incredibly rich country.

When visiting the Ajuda Palace, you should definitely look into the National Botanical Garden located next to it, which amazes with its collection of ornamental plants.

How to get to Ajuda Palace in Lisbon?

The most convenient way to get there is by bus, following route No. 760, or by tram No. 18. Stop - Palacio da Ajuda.

Mafra Palace is the largest royal palace in Portugal, its construction was carried out from 1717 to 1730 under the supervision of Italians, Portuguese and Germans. The palace of Marfa included a church, a palace and a monastery, a lot of city funds were spent on the construction of buildings.

Today, the town of Mafra seems like a cluster of toy houses compared to the palace: the height of the three-story city house does not reach the cornice of the second floor of the palace. Here is the world's largest collection of bells, which can be heard within a radius of 24 kilometers.

About 330 monks lived in the Mafra Palace, at the same time making changes and modernization to the complex of the palace ensemble. Approximately between 1771 and 1791, Hermit Monks of the Order of St. Augustine lived in this monastery.

Over time, the unique building gradually turned into a summer residence, and in the middle of the 19th century, its rear part was reserved for the needs of the armed forces. Now the palace complex has been declared a national monument, and at the end of the 20th century, significant restoration work was carried out here.

Mafra Palace is famous for its numerous magnificent sculptures, paintings and Italian statues. The well-known palace library deserves special attention, which strikes the imagination with a significantly large collection of ancient books. Some of the centuries-old tomes are written on golden pages.

Ajuda National Palace

One of the most beautiful palaces in Lisbon is the Ajuda National Palace. This is a neoclassical building from the first half of the 19th century, which, however, was too grandiose for its time and could not be completed immediately.

Since 1862, the unfinished palace has received a new life. Under the direction of the architect Joaquim Possidonio Narciso da Silva. Great transformations began, aimed at improving comfort and updating the interior of the palace, according to the ideas of the bourgeoisie of the 19th century.

The Royal Palace of Ajuda in its best times was the official residence of the Portuguese monarchy, solemn ceremonies were held here, grandiose balls and banquets were given. After the proclamation of the Republic in 1910 and the removal of the monarchy, the palace was closed and reopened to the public as a museum only after 1968.

Now 34 museum halls of the Ajuda Palace reproduce with historical accuracy the atmosphere in which the Portuguese monarchs lived. Magnificent collections of furniture, porcelain, crystal, priceless tapestries, chandeliers, jewelry, various decorative and functional items made using the advanced technologies of their time (XV-XIX centuries) - all this can be seen and photographed.

Queluz Palace

Queluz Palace is a magnificent architectural monument worthy of sincere admiration. Built by King Pedro III as a gift to his wife, Queen Mary I, Queluz Palace impresses with its luxurious forms. The construction of the palace lasted several years - from 1742 to 1767, and a lush garden with fountains and statues was laid out around it. The construction of a new palace for King Pedro III and his bride Maria I was headed by the court architect Mateus Vicente di Oliveira, who created an amazingly beautiful creation, which is considered to be perhaps the last striking example of the Rococo style.

Queluz Palace makes a grand impression on visitors. Now everyone can admire the exquisite Throne Room, where magnificent balls and solemn banquets were played several centuries ago. Huge mirrors, beautiful crystal chandeliers and gold-plated sculptures add special splendor. This is followed by a music hall in which operas and concerts performed by the royal orchestra sounded. The ceiling of the royal bedroom is made in the form of a dome and decorated with frescoes with scenes from Don Quixote, and the floor is made of exotic woods. The most solemn room is the room for ambassadors - the floor here is made of marble slabs, and paintings from the life of the royal family are depicted on the ceiling.

Around the palace there is a lush garden and park, which used to host jousting tournaments, concerts, fireworks and entertainment events for royal guests.

Belen Palace

Belém Palace is the official residence of the President of Portugal. It is located in Belém, Lisbon, not far from the Hieronymite Monastery and the Tejo River. The palace was founded in the 16th century by Prince Manuel.

The facade of the palace consists of five, similar in architecture, buildings of the 17th century, erected by the counts of Aveires. King Juan V, in the 18th century, acquires this palace, soon updating the entire interior in the latest taste. A small menagerie arranged at the palace by Queen Mary, and later an arena attached to it, is now becoming the State Museum of Carriages.

During the construction of the central building, two architectural styles are intricately combined: baroque and mannerism. The terrace is formed by two balustrades. You can get to it by climbing the side stairs, decorated with azulejos tiles. On the terrace there is a panel of azulejos tiles depicting scenes from the life of mythological heroes, such as the Labors of Hercules and others. Upon entering the palace, we find ourselves in the "Zala-dash-Bikash" (literally - "Plumbing Hall"), the floor of which is painted in black and white, and the walls are decorated with multi-color panels.

If earlier the palace was a reception place for kings, then at present it is the official residence of the President of Portugal and the national flag flutters over it.

Palace of Justice and Lisbon Prison

When you walk from the Marquis de Pombal Square through the Edward VII park, you come to the Palace of Justice, built in a modern style with the statue "Reason conquers strength" standing in front of it,

pay attention to the old building standing nearby. At first you think that this is a museum, and only then you understand what kind of building it is. Lisbon residents joke that this is the cheapest hotel in Lisbon.

Sights of Lisbon